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・ Lovendegem
・ Lovenellidae
・ Lovenes Gondwe
・ Lovenia
・ Loveniidae
・ Lovenlund, U.S. Virgin Islands
・ Lovens
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・ Loventué Department
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Lover (novel)
・ Lover (song)
・ Lover Alot
・ Lover Boy (1985 film)
・ Lover Boy (album)
・ Lover Boy (film)
・ Lover Come Back
・ Lover Come Back (1946 film)
・ Lover Come Back (1961 film)
・ Lover Come Back to Me (Dead or Alive song)
・ Lover Girl
・ Lover I Don't Have to Love
・ Lover Man (album)
・ Lover Man (Oh, Where Can You Be?)
・ Lover Not a Fighter


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Lover (novel) : ウィキペディア英語版
Lover (novel)

''Lover'' is a lesbian feminist novel by Bertha Harris, published in 1976 by Daughters, Inc., a Vermont small press dedicated to women's fiction. It is considered Harris's most ambitious work, and has been compared to Djuna Barnes's Nightwood and the stories of Jane Bowles. Harris has said that it was written "straight from the libido, while I was madly in love, and liberated by the lesbian cultural movement of the mid-1970s."
==Aesthetics and Critical Reception==

''Lovers prose is distinctly postmodern, eschewing conventional narrative for experimental narrative techniques. In contrast to some lesbian novels of the time, such as Rita Mae Brown's Rubyfruit Jungle (also, incidentally, published by Daughters), which used a prototypical bildungsroman technique with a lesbian placed squarely at the center, ''Lover'' reflects complex notions of radical lesbian philosophy, community, family structure, and eroticism by using highly inventive, often fantastical storytelling techniques. In Harris's introduction to the 1993 edition, she writes, "Lover should be absorbed as if it were a theatrical performance. There's tap dancing and singing, disguise, sleights of hand, mirror illusions, quick-change acts, and drag." Amanda C. Gable has argued that ''Lover'' "can be considered an exemplary novel within discussions of both postmodern fiction and lesbian (or queer) theory," and calls for "Harris to be added to the group of writers such as Wittig, Anzaldúa, Lorde, and Winterson, who are discussed within the context of a postmodern lesbian narrative."

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